Rice enters Hall of Fame

The San Francisco 49ers announced on Wednesday that Jerry Rice will be the next inductee into the Edward J. DeBartolo, Sr. 49ers Hall of Fame. The induction, to be held the weekend of September 18-20, 2010, honors Rice for his outstanding achievements and contributions to the 49ers organization. The 49ers are hosting a red carpet event to officially enshrine Rice into the 49ers Hall of Fame. This exclusive event will take place at the Palace Hotel in San Francisco, CA. Rice will also be recognized during halftime of the Monday night home opener against the Super Bowl Champion New Orleans Saints on September 20, 2010.

“Rice’s contributions to the game of football, and to our franchise specifically, have made him one of the best to ever play the game,” said 49ers President and CEO, Jed York. “His enshrinement into the Edward J. DeBartolo Sr., Hall of Fame was an obvious choice. He changed the game of football and will always be remembered as one of the best to ever put on a 49ers jersey.”

Rice is widely regarded as the greatest wide receiver to ever play the game. The 13-time Pro Bowler holds nearly every NFL career record for wide receivers, including receptions (1,549), receiving yards (22,895) and touchdown receptions (197). Rice played 20 seasons in the NFL, spending his first 16 with the 49ers. While in San Francisco, Rice won three Super Bowl rings (XXIII, XXIV, and XXIX) and was named an All-Pro 10 times.

OK Go’s latest video – watch it!

At this week’s Webbys, OK Go’s five-word acceptance speech for Film and Video Artist of the Year went a little something like this: “Fight for net neutrality now!”
 Now they’re taking the principle of the open, free-flowing Internet to new heights by not only offering fans an embeddable version of their new jam, “End Love,” but a free download of the vid as well.

You might remember that whole ordeal a few months back involving EMI and YouTube putting the kibosh on embeds of OK Go’s single, “This Too Shall Pass.” This led to the band releasing another, embeddable version of the song — courtesy of State Farm — and eventually leaving their label to form their own, Paracadute Recordings.

Well, with all that and a springy Internet trophy under their belts, the band is launching a pretty ambitious social media-driven campaign. Yes, they’re encouraging fans to share the new vid via embeds, but they’re also offering an incentive for their Facebook followers to spread the word. According to their Facebook Page, one winner will score an engraved iPad from OK Go — full of music and videos — simply for downloading the vid, sharing it on his/her wall and accruing the most comments. (Comments count as one point, “Likes” count as half a point). The contest ends at midnight PT on June 30, 2010.

To offer fans an impetus to publicize and review the video is a brilliant idea. Still, judging by the success of their previous vids, one has to wonder why OK Go needs to tempt folks with an iPad to get views.

Can anything replace The Hangover? Part 2 releases May 2011

The Hangover immediately jumped to my favorite comedy of all-time half-way through watching it for the first time in the theater. It now permanently resides in my car’s DVD player as well.

A year ago, the low-budget comedy about three groomsmen trying to recall a wild night in Las Vegas and find their missing pal (the groom) — made with a mostly little-known cast and a dependable director (Todd Phillips, who also did “Old School”) — became 2009’s sleeper hit, making $277 million domestically and propelling Phillips and its stars onto the A-list. It has also had legs on video: The film ranks as the No. 1 On Demand movie of all time, according to a survey by the service. (The film was produced by Warner Bros., which — like CNN — is a unit of Time Warner.)

It was the kind of film where everything worked, says analyst Paul Dergarabedian, president of the box-office division of Hollywood.com. “The movie was a revelation. So many attempts to do these types of movies fall flat. I attribute that to Phillips, who understands the male-bonding ritual. It’s kind of a Farrelly brothers, [Judd] Apatow [tone] — raunchy hybrid R-rated material mixed with genuine emotion and pathos. And it pays off for the audience. Audiences can smell a fake a mile away,” Dergarabedian says. “The Hangover” was popular with men and women, the core under-25 moviegoing market and less movie-mad adults, he says. Even his 85-year-old mother liked the movie. “That tells me something,” he says.

The movie business could certainly use more “Hangovers,” particularly in what’s started as a down summer at the box office. The film’s stars are taking advantage of their success, but with the exception of a busy Bradley Cooper — who appeared in last year’s “All About Steve,” February’s “Valentine’s Day” and the just-released “The A-Team” — most of their projects aren’t due until next year. (Ken Jeong, who played the murderous Mr. Chow, has had several small roles this year and is slated for 2011’s “Transformers 3.”)

But if Hollywood is hoping for another breakout smash like “Hangover,” it’s not a formula easily repeated, says David A. Gross, a former 20th Century Fox marketing executive who now runs MovieReviewIntelligence.com. “It was really quite remarkable in a lot of ways,” he says. “It is truly unique to have a character-driven comedy with heart to break out with those kinds of numbers. You just don’t see it. Those kinds of movies [usually] make $80 to $100 million.” There are exceptions to the rule, of course. In 2005, “Wedding Crashers” — which had the benefit of a better-known cast — topped $200 million at the box office. “American Pie” and its first sequel both passed $100 million domestically. And Apatow-written or -produced comedies, such as “Superbad” and “Knocked Up,” have performed well.

But “Hangover”-level successes need to have something extra, says Dergarabedian: chemistry and timing. Indeed, if there’s been a criticism of “The Hangover” — a film that earned generally positive reviews — it’s that its story got a little too loose and unbelievable at times. (Would Heather Graham’s stripper character really leave her baby behind without becoming frantic?). “Let’s say it wasn’t all on the page. It doesn’t matter — there was something magic, some kind of chemistry between script and director,” he says. “The tiger song, the Taser, the Mike Tyson casting — that [latter] could have gone either way.”

The chemistry was also there off screen, Cooper told CNN before the movie’s release. “We all feel like we did a war movie together, because our characters really get the crap kicked out of ourselves,” he says, adding that the group strongly bonded during their six weeks of filming in Las Vegas.

So, in this summer of sequels and sci-fi — one that’s so far failed to ignite much buzz — could anything become the next “Hangover”? There are surprisingly few candidates. Most of the comedies have notable stars attached, including “Dinner for Schmucks” (with Steve Carell and Paul Rudd) and “Middle Men” (with Luke Wilson and Giovanni Ribisi). But Gross is confident that there’s an original story out there that will surprise moviegoers the way “Hangover” did, and Dergarabedian even has a candidate: director Todd Phillips’ new movie, “Due Date,” which stars loopy “Hangover” comedian Zach Galifianakis opposite Robert Downey Jr. in a road movie about a jittery father taking a road trip with an actor.

“When you’ve got Zach Galifianakis, you don’t need CGI, you don’t need 3-D,” he says. If that doesn’t work? There’s always “Hangover 2,” which is in pre-production and slated for Memorial Day weekend, 2011.